Thursday 1 May 2014

Final 3 pieces:

Final Cover:


Final Contents Page:


Final Feature Article:



7) Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?

6) What have you learnt about technologies from the process of constructing your magazine?


I learnt a huge amount regarding Photoshop, as I was a complete beginner with absolutely no experience starting in September. These three videos encapsulate my learning and how I constructed my work:





I also learnt a lot about using still cameras and depth of field to take a good quality of image, as well as downloading fonts from 'www.dafont.com'.

Monday 28 April 2014

5) How did you attract/address your audience?

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4) Who would be the audience for your music magazine?


The above moodboard shows my target audience to be males ages 18 - 35, who are interested in rock punk/mainstream rock, that want a music magazine and not the latest gossip.

Monday 7 April 2014

1) In what ways does your music magazine use, develop or challenge forms and conventions of real music magazines?

1) In what ways does your music magazine use, develop or challenge forms and conventions of real music magazines?

Front Cover -
I created this analysis of my use of key conventions on website thinglink.com:


Contents Page -
























Feature Article -


In conclusion, I believe I have obeyed the key conventions real music magazines use to create a believable and realistic product.

Tuesday 4 February 2014

Changes To Original Plans

It is worth noting that I made the decision to change the main band name from 'The Rebels' to 'Uprising', as I found this both made me cringe less and portrayed the rising nature of the band as well as their rebellious ways.

Furthermore, the difference between my original flat plans and finished pieces of work is startling, with my ideas change and adapting hugely over the drafting process. The most notable changes are as follows:

Cover -
Changing the key image to a solo model to represent a three man band, meaning the page wasn't too busy.
I kept the idea of the sticker but changed the text and positioning so that it was less lost on the page.
I added more cover lines for less 'white space' to maintain a reader's interest.
I streamlined the menu strip for a more clear cut look.

Contents Pages -
This was the piece with the most change and the one that consequently took the most time, with my final piece being extremely different. However, I kept much of the content the same with the 'What's hot' circular section and the idea of the main band 'The Rebels' (to become Uprising) spreading over the two pages. I also kept some stylistic ideas the same, such as the page numbers in the corners and the 'resonate' at the top of each piece to add brand identity.

Feature Article -
I kept the sidebar down the far right hand side the same, as I liked the extra dimension the technique brought to the page.
I moved the key image to below its original position and inserted the film strip across the page.
I therefore moved the pull quote to the top of the page to maintain balance and make the page even.

I also changed many of the fonts, such as the body text as this simply was not clear enough on a small scale, and I also changed the masthead font as when this was on the actual page I much preferred my final choice.

Monday 3 February 2014

Selecting Fonts

After all my research into music magazines, I have learnt the following about fonts:


Planning original images

Name of photo
(which page?)
Background/location
(int/ext.)
Lighting
Shot size
(portrait/landscape/angle)
Costume and props needed
Pose, facial expression, body language, positioning within the frame
Intended connotations
Front cover key image
Grey background
High-key, clear
Medium close up of main model in portrait
White t-shirt,

Staring at camera, intense
Rocky, slightly upbeat connotations 
Contents no.1 – Flame (match?)
Black background
Dark
portrait
Lighter

Connotations of heat and what’s cool
Contents no.2 – shot of ‘Rebels’
Same colour background to be easily removed
High key – prevent shadow
Portrait, slightly low angle

Happy, relaxed. ‘Brothers in arms’ kind of feel, togetherness
Recurring theme of them shows their importance
Contents no.3 – ‘Kyle Walker’
Light background – yellow tint?
Slightly darker, moody, some shadow
Portrait
Guitar, leather jacket
Head of guitar in focus with rest of image slightly out, though still about to clearly see face.
Moody, interesting, traditional retro rock. Also that the music is the main focus with guitar.
Contents no.4 – ‘Jay Hawks’
Easily editable background to lift image off of
Good, no shadow on face or guitar
Portrait
Guitar
Model looking at guitar with it in a slightly raised position, as if playing a solo.
A guitar soloist of similar age to target market (about 20)
Contents no.5- ukulele

Grey background? Not hugely important
Bright
Portrait
Ukulele
Focus on main body of instrument, then fades as moves up
Fun, interesting
Contents no.6 – shadow
Background is shadow on wall
Behind model to create shadow
Landscape
Guitar, jacket with collar
Holding guitar at waist
Dark, mysterious, contrasting, music, light/dark

Contents no.7 – Guitar neck shot
Black background, white foreground
High on guitar, neutral  on model
Portrait
Guitar and denim jacket
Guitar held by neck, balanced on the floor
Metal, music, perception

Contents no.8 – Female vocal
Dark background. Neutral on face
Half in shadow other half in light
Portrait
Microphone, dark clothing
Holding microphone to approx collar bone height with distant look
Female musician, vocals, punk
Contents no.9 – Group shot
Bright background, colourful foreground
Lighting on faces
Landscape

Group shot, arms interlinked
Friendship, band, group, fame
Contents no.10 - Eyes
No background
Bright on face
Landscape

Wide shocked blue eyes to match colour theme of page
Focus, sight, blue
Feature Article no.1
Easily editable background
Shadowy
Landscape
Microphone
Main model lifted up in a crowd-surfing pose
Very rocky
Feature Article no. 2 – Crowd shot
Dark background
Some shadows, but band members clear
Landscape
Microphone
Three members of band on elevated position, with crowd below looking up
That the band is fun to see live, close with the fans
Feature Article no. 3
Complete darkness
No light except lighter, which illuminates model’s hand and face lightly
Portrait
Lighter
Model holding lighter up to about nose height, staring straight at the flame.
Perhaps that the band are a little dangerous, and that they’re definitely the ‘hottest’ new thing.
Feature Article no. 4
Dark
Face well lit, no shadows
Portrait

Modal holding arm out in front of himself in a rock gesture
Clearly illustrates the band’s rock genre
Feature Article no. 5
Light background, possibly white
Try to restrict shadows, though the odd one isn’t a big deal.
Portrait

Very similar to Contents no.3 with main model’s arm raised in a rocky gesture
Continuous theme of friendship within the band

Saturday 25 January 2014

Planning Ideas for Music Magazine

These are the flat plans for the first planning draft of my music magazine:

Cover - 

I have worked using the principle of thirds, having the model's eye line resting on the top intersection. I also liked the idea of a sticker, but I'll need to work out how to do this. 

Contents Pages - 


I went for two pages to make the magazine a lot more laid out instead of mimicking one of the many magazines I've seen which pack all the information together which makes for a very hectic page, and is therefore hard to access as a reader. 

Feature Article - 

I wanted wrap around text as I liked the way it integrates a picture into a page, and so decided to use the technique in my work 


Monday 13 January 2014

Research into the Music Magazine Industry

Looking into circulation figures in 2013, I think that magazine readership has declined due to:

  1. the expansion of internet article which are both free and easier to transport as people can access them at any time on their phones.
  2. Bands have their own websites and social media pages so there is simply no need to buy a magazine.
  3. Arguably, due to the recession and more economy of today, people just don't have the money to spend on a magazine: especially when they could have the contents for free on the internet.
These are the circulation figures as reported by The Guardian:
'Rock title Kerrang! fell under 40,000 monthly sales in the final half of last year, as sales dipped 4.1% to 38,556. The Bauer Consumer Media magazine is down 8.4% compared to the final half of 2011.


Mojo remained the market leader among the paid-for music titles, with sales at 83,676 despite a modest fall of 1.7% compared with the previous six months. Bauer Consumer Media's monthly rock title slipped 4.4% year on year.

The number two in the paid-for music market, IPC Media's Uncut, slipped just 1% on the previous period, to 62,361 – although circulation was up 0.1% on the final six months of 2011.

Bauer rock rival Q shed 4.8% of its sales in the second half of 2012, to 61,485, as circulation dropped by a fifth compared with 2011.


NME reported another sales squeeze, with period-on-period circulation down 3.7% to 23,049. The IPC Media music title, which appointed Mike Williams as editor in May last year, saw its circulation drop 16.6% compared with the six months to December 2011.'

Looking at Media Theory

In today's lesson we've studied and explored Maslow's Hierarchy of Needs and Uses and Gratifications theory.
The theory states that human behaviour reflects a range of needs, from basic to higher aspirations. The theory ranks these needs as follows:
We then applied what we learnt with the Uses and Gratifications theory, which is an extension of the Hierarchy of Needs, in groups to a front cover of music magazine Kerrang. The four categories are diversions, personal relationships, personal identity and surveillance. On the cover we found that the 'surveillance' category was used the most to make the reader feel like the magazine had to be bought for them to be in the loop and therefore they had to buy it.

Key learning point: The magazine I produce must employ the Uses and Gratifications Theory to make my magazine seem to have vitally important information that the reader must obtain.